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Last week, the Marigold was nominated for an East
Coast Music Award in the Venue
of the Year category. It’s our first time being
nominated in the category by the hallmark music awards body of the
Atlantic region. And, I’m not going to be subtle about it, I know
exactly why we got the nomination.
1. The Marigold has a staff that works endlessly to
bring shows to success, to support projects to completion, and work
with a key intent I see everyday: a passion for developing the arts
at home. We’re a small staff—Summer, Meg, Dave, and Justin—but in 2024,
we did 103 individual,
unique shows. Nearly 1/3 of the days of our year
were committed to setting up, running, and closing out
performances. We’re well past over 10 000 people through the
theatre in the last year. We put all this on while also working on
upgrades to our theatre and space, education camps in the summer,
and the everyday work of keeping the Marigold moving.
2. My board of directors for the Cobequid Arts
Council. The board that oversees the operation of the Marigold are
all volunteers. They dedicate their time, skill, and attention to
making sure we steward our funding towards our mandate—introducing, nurturing,
and sustaining arts and culture in our community. They
also put up with my emails and creative work habits (see: a bit
chaotic). Without these board members, I would not have the input
and guidance needed to be the best leader for the Marigold that I
can be.
3. The music and arts community in Nova Scotia is
one that thrives on supporting one another. There are so many
artists I have had the gift to work with who have put their trust
in the Marigold to dedicate their time and skill to bringing
beautiful music to Truro. At every turn, I meet artists
enthusiastic to see music thriving in our community. The Marigold
could not be what it is without musicians and we strive to make the
best experience we possibly can when they visit us. We work hard to
compensate with fair guarantees. What is a stage without a
musician? Just a floor.
4. And finally, our volunteers. I have never met
such a dedicated community of people who so joyfully donate their
time and energy to ushering, greeting, ticketing, and selling
merchandise at shows. They’re engaged and excited about what we’re
doing at the Marigold. Without them, I don’t know how we would ever
run a show. Our volunteers are the beating heart of the
Marigold.
For all those who contributed to being recognized
with an ECMA nomination, but gratitude has no measure. Mr. Rogers
talks about how each of us are loved into existence—our beautiful
community at the Marigold is just that, loved into existence by all
of the above.
And I am going to be honest here—each of these
groups the last year, I have strained by wanting to do more,
wanting to bring more shows, wanting to drive larger audiences. The
work to put on that many performances exhausts people because art
is just that—labour. But, through thick and thin, my staff, my
board, our arts community, and our volunteers, have stayed
committed because they share something with me: a love for the
arts, a love for beautiful moments together.
I hope we win at the ECMAs in May. But it doesn’t
really matter. None of us are here for an award. For now, this
nomination is for them, for our community. The recognition belongs
to the sore feet, long hours, and sleepless nights that all of us
have contributed to make the Marigold the soul of the arts in
Truro.
So here’s to living up to our title: Truro, Nova
Scotia’s Live Music Capital. It grows truer everyday.
marsh feit
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Canada.gov.ca
Wednesday,
April 9
7:30 PM -
$35

Folks, it's
a groundbreaking event. Coming off a SOLD OUT west coast tour, the
admin is coming to Truro, Nova Scotia for the very first time.
In what many are calling "the show of a
lifetime" @canada.gov.ca is
proud to be coming to the STUNNING Marigold Theatre on Wednesday,
April 9th at 7:30 pm, with doors opening at 7. Come for the Canadian
themes, stay for the Truro stories.
Since 2017, John Batt has been the brain behind the
popular instagram account @canada.gov.ca, curating
wonderfully-woven anecdotes from the more obscure side of Canadian
history and culture. He has brought his one-man show to audiences in
Alberta, Manitoba, Saskatchewan, New Brunswick, Nova Scotia,
Newfoundland, Ontario and Quebec. John has been profiled by CTV, The
Globe and Mail and CBC even recently as a guest of The Current with
Matt Galloway.
Amongst his 94,000 followers are Canadian heavyweights
like Anne Murray and Blue Rodeo's Greg Keelor. While born and raised
in Fredericton, now living in the Laurentians, he describes his show
as a cross between a Ted Talk and having a couple drinks with a
friend. It's easier to think about what it's not: it's not a podcast,
it's not stand-up comedy: it's @canada.gov.ca LIVE.
Expect the unexpected and see what all the fuss is about yourself!
See you there :)
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BABES, BABES, BABES! Burlesque and Drag Show
Thursday,
April 10
7:30 PM -
$34
(Not a
Marigold-presented show)

4 beautiful
Babes tease, titillate and bring you the babe-liest burlesque show
around!
This empowering, sexy, and comedic show combines
burlesque, drag, pole dancing, extravagant costumes and, of
course, the art of the tease in a raucous naughty show that will
leave you wanting more!
In addition to all the sultry teases, the naughty
jokes, and the sparkly thongs, the Babes celebrate sexuality, LGBTQ
identities, and body confidence with inspiring performances and
heartfelt moments.
So grab a ticket, grab a beverage and indulge in this
special adults only evening of cabaret entertainment!
The Babes are touring to 20+ cities from Ontario to
Newfoundland in 2025. For full details and more info on the
BABES check out www.babesburlesque.com.
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Maximum Overdrive at the Legion
Saturday,
April 19
8:00 PM -
$50

Maximum
Overdrive is the East Coast's hottest party band, bringing the energy
and excitement of the '80s back to life with a bang. Their
high-octane performances have quickly become legendary, keeping the
dance floor packed and the crowd electrified all night long. With a
killer lineup of seasoned musicians who've rocked stages across
Canada and beyond, Maximum Overdrive delivers an unforgettable
experience. They cover timeless '80s classics from artists like INXS,
Duran Duran, The Pixies, Madonna, Billy Idol, Blondie, Cindi Lauper,
and more.
From the first beat to the last encore, their diverse
mix of hits will transport you back to the glory days of the '80s. If
you're ready to relive the magic, the fashion, and the best tunes of
the era, Maximum Overdrive is your ticket to an unforgettable night.
Join the party. Live the '80s. Go to Maximum
Overdrive.
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Kelly McMichael
Thursday,
May 22
7:30 PM -
$30

Kelly
McMichael is a
multi-instrumentalist who can sling a guitar, serenade on piano and
program beats in equal measure. Known for her buttery vocals and
genre-bending arrangements, Kelly’s blend of retro pop and rock
production styles that flirt with psychedelia help provide rich
packaging for her ‘instant-classic’ songwriting.
Based in St. John’s, Newfoundland, originally from
Peterborough, Ontario, McMichael’s early songwriting career was
established around 2007 through DIY feminist synth bands Rouge, and
later on, Renders. As a side-player, she has toured North America and
Europe performing with The Burning Hell, Sarah Harmer and Tim Baker.
McMichael turned focus to her solo career as an artist and producer
and independently released her breakthrough debut LP Waves in
2021. The album earned her three Music NL Awards, the ECMA for
‘Best Rock Recording’, and garnered a prestigious spot on the Polaris
Prize shortlist.
Kelly’s sophomore album, After The Sting Of It (released
September 2024), is a fearless expansion on the classic sound of her
debut. Recorded and co-produced with Jake Nicoll, her music sits in
the comfort of its core ideas - tear down and rebirth, while being
utterly unafraid to try new things, including McMichael doing much of
the recording herself. The first single ‘Bomb’ had a hot year of
heavy rotation on The Verge and national college and community radio,
and it made the CBC Music Top 20, followed by a second single in the
Top 20: “Open (Hurts to Have a Heart). The album continues to
simmer nationally with praise from Exclaim! and CBC for its fiery
energy and inventive exploration of different sounds and textures. “I
write and record in a way that you’re just giving the song what it
needs. “Why limit the creativity?”, Kelly says. “ I don’t want
limitations.”
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Good Dear Good
Monday,
March 3
7:30 PM -
$15

A vision of
unison and love arrives on stage with intoxicating, searing vocal
harmonies and relentlessly catchy pop-rock melodies. Lyrics are
delivered with an endearingly infectious positivity on stage, but
with deeper reading, a sense of pensive gloom permeates the words.
Good Dear Good’s award-winning debut EP “Arrival” echoes bright while
you journey to the dark depths of the Atlantic — watching the sun
shine a beam straight to the ocean floor. Here you’ll find themes of
resilience, perseverance, and love within a broken system.
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Aysanabee with opener Alan Syliboy and the
Thundermakers
Tuesday,
March 4
7:30 PM -
$40

Aysanabee is
a multi-instrumentalist, producer and singer songwriter currently
based in Toronto. He is Oji-Cree, Sucker Clan of the Sandy Lake First
Nation a remote fly-in community in the far reaches of Northwestern
Ontario.
Solemn and soaring, backed by a swirling blend of
indie, soul and electronic soundscapes, mournful saxophone and
pulse-quickening finger-picking, Aysanabee’s striking sound is equal
parts hypnotic and melodic which has been compared to Bon Iver, Matt
Corby, Don Ross, Kim Churchill, Kings of Leon and Sam Smith.
His debut album, Watin (Nov. 2022) named after his grandfather,
includes 10 tracks and nine interludes featuring the voice of his
grandfather and is both part music and journalism, artistry and
expression. The album is being released through Ishkōdé
Records, founded by Amanda Rheaume and Shoshona Kish, one of the
first Indigenous and women-owned labels in Canada.
“Watin actually started out as a series of
conversations between myself and my grandfather,” says Aysanabee. “We
spent the first year of the pandemic talking about things we’ve never
spoke about, his life on the trapline on Sandy Lake First Nation,
falling in love, his life in residential school and then leaving
everything behind..we never spoke of it until now. Even though we
were over 1,000 kilometres apart, it was probably the closest we’ve
ever been.”
In a short amount of time, three singles were released
including “Ego Death” (Oct 2022), “Nomads” (Aug 2022) which charted
on Billboard Canada and became #1 on CBC Music and went #1 on
Alternative Radio, making Aysanabee the first Indigenous artist to reach
#1 on any Mediabase chart. Finally, “We Were Here” (July 2022), which
charted on the Indigenous Music Countdown and featured in an episode
of Station 19. Watin was shortlisted for the Polaris Music
Prize in 2023.
With Here and Now, the
artist’s latest EP, Aysanabee moves in a new direction, towards his
own experiences of love’s end and his process of unflinching
self-examination. With high voltage production, Aysanabee shifts
Watin’s finger-picked acoustic foundation into soundscape waves that
carry his voice forward. The album features six new songs including
the hit single, “Somebody Else” (June 2023) which reached #3 on the
MediaBase Alternative Chart and delves into the theme of memory –a
significant motif in his songwriting. “Here and Now”, the title track
off the album, is a coulda woulda shoulda song. “There are a million
ways and a million different outcomes to any situation but things
unfold the way they unfold,” says Aysanabee, “and sometimes you just
need to appreciate the moments, the memories, the people who have
come into your life for a time to share their gifts with you and vice
versa.
On Mar 23, 2024, Aysanabee made history as the first ever Indigenous Artist to win the JUNO Awards for Alternative Album of
the Year and the coveted Songwriter of the year, for Here and
Now. He followed up the wins with a memorable performance on the awards broadcast with a tribute to Robbie
Robertson and Gordon Lightfoot alongside Allison Russell, William
Prince, Julian Taylor, Shawnee Kish, Logan Staats, and the Rainbow
Coalition.
Aysanabee has performed more than 200 shows on major
stages and festivals and venues across Canada and globally including
Ottawa Bluesfest, Osheaga, Montreal Jazzfest, Tönder Music Festival,
AmericanaFest UK, Wake the Giant and many more. The Here And
Now EP tour included cross Canada tours with Dan Mangan and Allison
Russell.
The artist has shared the stage with such notable acts
including The National, Digging Roots, Amanda Rheaume, Sam Roberts
Band, Our Lady Peace, DJ Shub, Julian Taylor, Jeremy Dutcher, Dan
Mangan, Mavis Staples, July Talk, Half Moon Run, Tokyo Police Club,
Aqua, and more.
Alan Syliboy and the Thundermakers will open
Aysanbee’s show.
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Raine Hamilton
Thursday,
March 6
7:30 PM -
$40

Raine is
part prairie songstress, part storyweaver; Each song has a
story, delivered between songs with humour and grace. Raine
invites deep love of the violin into the singer-songwriter
genre, writing for violin and voice, as well as for guitar and
voice. Joined by cello and upright bass, expect string arrangements
that push and pull, that move as they console.
A classical violinist and musicologist by training,
Raine and their string trio offer string-quartet-like arrangements of
Raine’s original songs. They call this chamber-folk, a hybrid of the
classical tradition of string quartet chamber music, with the singer
songwriter folk that comes so organically to Raine.
Raine’s latest work, the full-length album Brave Land
(2021-22), is a concept album about mountains, and the courage,
wisdom, and otherworldly connection they represent. Here, as in
Raine’s 2018 album Night Sky, the songs are set to intricate and
seasoned arrangements for guitar, violin, cello, and double bass.
Once again Raine has worked with string trio collaborators Quintin
Bart on double bass, Natanielle Felicitas on cello, and Lloyd
Peterson as producer/engineer.
Raine believes that music is for everyone, and that we
all have something to share. An experienced educator, Raine offers
workshops in songwriting and fiddle tune writing (EN/FR). Raine also
offers concerts with American Sign Language (ASL) interpretation, to
help make live music and the community that comes with it more
accessible to the Deaf community.
Raine is the recipient of the 2018 Canadian Folk Music
Award for Emerging Artist of the Year! Raine has toured Canada
extensively, driving, flying, and floating coast to coast. Highlights
include: Performing songs with the Winnipeg Symphony Orchestra (5 times!),
performing with the Manitoba Chamber Orchestra, playing a show in a
cave (10 stories below the earth!), playing festivals across Canada
(Vancouver Folk Festival, Vancouver Island Music Fest, Atlin
Festival, Home County, Filberg Fest, Lilac Fest, Harvest Moon, Trout
Forest), playing for passage on Via Rail, and meeting so many amazing
humans along the way.
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SUBVert presents Scott Nicks with opener Verry Gerry
Saturday,
March 8
8:00 PM -
$10 Door Cover
Drawing from
many different musical influences, Scott Nicks is a “melody-first”
singer-songwriter. Originally from Truro, NS, Scott has released
three full-length records and multiple EPs since 2006. His music has
gone through many permutations, from quietly introspective folk, to
heavily distorted indie rock dripping with sludge, to bright piano
pop epics lush with symphonic instrumentation. Scott Nicks is backed
by seasoned musicians in drummer Jordan Murphy (Walrus), bassist
Andrew Mawko (Verry Gerry) and guitarist Justin McGrath (Shadow
Folk). Having a significant amount of unreleased music and taken a
nearly decade-long hiatus from playing his own music, Scott and his
band are back to play a mix of older songs and newer unreleased
material that will leave you wanting more.
"Scott Nicks, if he wanted to, probably could
have categorized his latest album—almost five years since his last—as
dream pop. If he decided to go in that direction, he would be one of
the few artists on the planet whose music actually fits that description."
- Michael Thomas, Gray Owl Point, on Scott Nicks’ 2015 release,
“String of Dreams”.
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Love Guns: The Ultimate KISS Tribute Band
Sunday,
March 16
7:30 PM -
$50
(This is not a
Marigold-presented show)

Get ready to
rock and roll all night with Love Guns, the KISS tribute band that's
a true 'shot'; of adrenaline for fans of the legendary rockers!
Comprising four talented musicians from Eastern Canada – Mike
Bourgeois, Danny Bourgeois, Danny Roy, and Stephen LeBlanc – Love
Guns have been on a mission to capture the essence of KISS since
childhood.
This powerhouse band delivers an electrifying
performance that pays the perfect homage to the iconic group that
'pulled the trigger' on their passion for music. With high-energy
shows and an authentic KISS experience, Love Guns is sure to leave
audiences shouting for an encore. Don't miss out on the chance to
witness a 'bullet of excitement' and nostalgia at their next show!
Prepare for a night of unforgettable rock and roll with Love Guns –
it's an experience you won't want to miss!
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Duane Andrews & the Hot Club of Conception
Bay
Thursday,
March 20
7:30 PM -
$38

Duane
Andrews casts a wide net in the musical ocean. Uniting what
would seem to be impossible – traditional Newfoundland music with the
swing jazz of the legendary two fingered guitarist Django Reinhardt,
Andrews makes it not just work – he makes it soar. The Juno award
winning composer, arranger, producer, conductor and globetrotting
performer’s latest album is the best evidence yet of his inimitable
musical vision and is the sound of him, literally, bringing it all
back home. He’ll be joined by the hottest swing band in the bay The
Hot Club of Conception Bay featuring Erin Power with her magical
mandolin and vibrant vocals and Donald MacLennan with his fiddle of
fire!
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Therrien-Go Duo at St. Andrew's United Church
Saturday,
March 22
7:00 PM -
$35

Created by
cellist Daniel Hamin Go and pianist Jean-Luc Therrien, the
Therrien-Go Duo’s fortuitous encounter occurred in the illustrious
setting of the Rebanks Family Fellowship and International Residency
Program at the Royal Conservatory of Music. Their convergence forged
a dynamic partnership that has since captivated audiences across
Canada. With an innate connection that electrifies the stage, their
music is a mesmerizing fusion of thought-provoking interpretation,
innovative collaboration, and a sincere dedication to community
engagement, both near and far.
Daniel and Jean-Luc believe in the power of music and
its ability to evoke truth; their artistic mission lies in preserving
the legacy of great music from the past, reimagining its utilization
in present times, and inspiring the future generation of artists and
audiences.
Daniel Hamin Go
Described as “authoritative, poised, and dripping with
élan” (Jonathan Freeman-Atwood), 27 year-old Korean cellist Daniel
Hamin Go is recognised as a special emerging talent.
As a passionate recitalist and chamber musician,
Daniel has performed throughout North America and Europe
collaborating with renowned musicians including Jonathan Biss, Miriam
Fried, Ida Kavafian, Daniel Philips, Rachel Podger, Wolfgang Redik,
and Fazil Say; appearing in concert halls such as Berliner
Philharmonie, Cadogan, Carnegie, Flagey Studios, and Konzerthaus
Berlin. Daniel finds inspiration in working with artists as Steven
Isserlis, Ferenc Rados, and Rita Wagner, with invitations to
festivals such as Four Seasons Chamber Music Festival, IMS Prussia
Cove, Krzyzowa Music, Mendelssohn on Mull, Music Academy of the West,
Ravinia’s Steans Institute of Music, Tsinandali Festival, and Yellow
Barn.
Season highlights include an Ontario-wide tour with
Fall for Dance North, being named Artist-in-Residence at Symphony in
the Barn, recording at CBC’s Glenn Gould Studio, and a concerto
performance with the Thirteen Strings Chamber Orchestra in Ottawa.
Daniel pursued his Bachelor of Music at the Manhattan
School of Music under the tutelage of Julia Lichten and David Geber,
Master of Music at the Hochschule für Musik ‘Hanns Eisler’ Berlin in
the class of Nicolas Altstaedt, and as a recipient of the prestigious
Bicentenary Award and the Drake Calleja Trust Award, Daniel completed
an Advanced Diploma at the Royal Academy of Music. During the 2021-22
season, Daniel was an artist-in-residence at the coveted Queen
Elisabeth Music Chapel working closely with Gary Hoffman. During the
2022-23 season, Daniel holds a fellowship position at the Royal
Conservatory of Music’s Rebanks Family Fellowship and International
Residency Program.
Daniel plays on a Cremonese cello made in 1690 by
Francesco Rugeri, generously on loan from a private collection.
Jean-Luc Therrien
Jean-Luc Therrien
Finalist and prizewinner of several competitions
including the Concours Prix d’Europe and the Sendai International
Piano Competition in Japan, Canadian pianist Jean-Luc Therrien
believes his job as a musician is to cross barriers – of language, of
culture, of time. He was named one of Canada’s 30 hot classical
musicians under 30 for 2020 by CBC Music. And his first solo album
Piano Preludes, just released on the Label Orpheus Classical in 2021,
was chosen as one of the best releases of 2021 by CBC Music.
Recently, he was part of The Rebanks Family Fellowship
and International Performance Residency Program at The Glenn Gould
School in Toronto. He also made his national radio debut on CBC Music
with the broadcast of a virtual recital recorded in Toronto in the
summer of 2021. In February 2022, he performed with the Royal
Conservatory Orchestra before going on tour across 7 European
countries with French violinist Jean-Samuel Bez to launch their first
album. And then, it was back to Canada for 16 solo performances in
the Maritimes with Debut Atlantic.
After graduating from the Conservatoire de Musique de
Trois-Rivières in the studio of Denise Trudel, Jean-Luc headed for
Austria and the University Mozarteum in Salzburg to complete a Master
of Arts Degree in Piano Performance. Then, he remained in Europe to
pursue further musical projects, thanks to a major grant from the
Canada Council for the Arts. Later, he returned to Canada and entered
The Ihnatowycz Piano Program at The Glenn Gould School in Toronto
where he worked with another important musical mentor – Marietta
Orlov.
Over the years, the recognition has poured in: among
other awards, he’s won several prizes in competitions such as the
Mauro Paolo Monopoli Prize Competition in Italy, the CMC Stepping
Stone and, with violinist Jean-Samuel Bez, the Chamber Music Grand Prize
at the Luigi Zanuccoli International Competition in Italy.
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Hubtown Theatre presents Four Old Broads
March 26-29
7:30 PM each
night with a Saturday matinee at 2 PM
$24
(This is not a
Marigold-presented show)

Meet four
ladies of a certain age, Beatrice, a retired “burlesque dancer”,
Eaddy, from the Bible belt, Imogene, the new girl and Maude who is
obsessed with soap operas. They want a break from their usual
activities at Magnolia Place Assisted Living. They are planning a
sassy seniors’ Caribbean cruise. However, they have to contend
with the new nurse who wants to interfere with their plans. A
mystery unfolds with laughter as the gals try to outsmart her.
Throw in a senior citizen beauty pageant, an old Elvis
Impersonator and a trashy makeover and you have a laugh a minute
evening of theater fun. Come see Hubtown Theatre’s farce; Four
Old Broads at the Marigold Centre on March 26 to 29.
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"First Light"
This is the first solo show for Alicia Simms Breland.
When it came to choosing a subject matter for this
show, my first thought was to paint sunrises because they’re one of
my favourite things, and I have so much reference material to
utilize. The significance of the name is also reflected in the fact
that this is my first show. The first time painting for myself. The
first time I have tried using some mediums and materials for the
work. It’s a dawning of a new era in my own artistic career. It’s a
lot of firsts so ‘First Light’ seemed to be a fitting name and
genre.
Artist Bio:
Alicia Simms Breland is an entrepreneur, tattooer,
YouTuber, and full-time Airstream adventurer. Hailing from Mount
Pearl, Newfoundland, Alicia now calls Nova Scotia home where she
founded the award-winning businesses, Rolling Sea Tattooery in 2014
and Truro Buzz in 2017.
She’s always been artistic, and after high school,
attended the Nova Scotia College of Art and Design. Here she earned a
Bachelor of Design with a Major in Graphic Design. After graduation,
she went on to work in art glass before beginning her tattoo apprenticeship
in 2006. Alicia has been creating works of art in skin for over 17
years now. She has worked internationally and has won awards for her
work.
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